Panthers and the Museum of Fire
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Michael Kohlhaas
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My Phantoms
Bridget's mother is dying. An extrovert with few friends who has sought intimacy in the wrong places; a twice-divorced mother-of-two now living alone surrounded by her memories, Helen (known to her ac…
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Parade
From the exhilarating mind of Rachel Cusk, author of the Outline trilogy, Parade disturbs and defines the novel.
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Midway through his life, an artist begins to paint upside down. Eventually, he paints hi… -
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A Lost Lady
Marian Forrester is the symbolic flower of the Old American West. She draws her strength from that solid foundation, bringing delight and beauty to her elderly husband, to the small town of Sweet Wate…
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The Border Trilogy: All the Pretty Horses, The Crossing, Cities of the Plain
Beginning with All the Pretty Horses and continuing through The Crossing and Cities of the Plain, McCarthy chronicles the lives of two young men coming of age in the Southwest and Mexico, poised on th…
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Gentleman Overboard
A man falls overboard; his thoughts as he awaits rescue. Wodehouse meets Sartre.
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Dream Story
Like his Viennese contemporary Sigmund Freud, the doctor and dramatist Arthur Schnitzler (1862-1931) was a bold pioneer in exploring the dark tangled roots of human sexuality.
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Arthur Schnitzler is prob… -
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The Third Realm (Morgenstjernen, #3)
From bestselling author Karl Ove Knausgaard, a kaleidoscopic novel about human nature in the face of enormous change—and the warring impulses between light and dark that live in all of us
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Shapeshifting… -
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Cities of the Plain (The Border Trilogy, #3)
The concluding volume of the Border trilogy. In this magnificent new novel, the National Book Award-winning author of All the Pretty Horses and The Crossing fashions a darkly beautiful elegy for the A…
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Question 7
By way of H. G. Wells and Rebecca West’s affair through 1930s nuclear physics to Flanagan's father working as a slave labourer near Hiroshima when the atom bomb is dropped, this genre-defying daisy ch…
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The Recognitions
The book Jonathan Franzen dubbed the "ur-text of postwar fiction" and the "first great cultural critique, which, even if Heller and Pynchon hadn't read it while composing Catch-22 and V., managed to a…
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