This ground-breaking drama was Mark Ravenhill's first full-length play and part of a movement in the 1990s of "in your face" British theatre, which frankly dealt with issues of sex and violence and po…
From Alison Rumfitt, the author of Tell Me I’m Worthless — “a triumph of transgressive queer horror” (Publishers Weekly) — comes Brainwyrms, a searing body horror novel of obsession, violence and plea…
“Endlessly fascinating … The Antipodes leaves you glowing with a wondering satisfaction. I mean the happy satiety that comes from being in the hands of a real right-brain/left-brain author who channel…
In a rundown movie theater in central Massachusetts, three underpaid employees sweep up popcorn in the empty aisles and tend to one of the last thirty-five-millimeter projectors in the state. With kee…
Three years ago, Alice spent one night in an abandoned house with her friends, Ila and Hannah. Since then, Alice’s life has spiraled. She lives a haunted existence, selling videos of herself for money…
In this innovative play blending real life and online culture, a young Black woman takes to Twitter to voice her frustration with white women profiting off Black culture and stereotypes. When The Disc…
Welcome to the life of a junior doctor: 97-hour weeks, life and death decisions, a constant tsunami of bodily fluids, and the hospital parking meter earns more than you.
4.48 Psychosis sees the ultimate narrowing of Sarah Kane's focus in her work. The struggle of the self to remain intact has moved in her work from civil war, into the family, into the couple, into the…
